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PRIMO will be published every ten weeks during 2011. The next issue and dates of distribution follow:

  • 3rdEdition 2011 - Now in The Mail and Available at Newstands













PRIMO wants to hear from Annette Funicello fans!

In a follow up of our cover feature on Ms. Funicello, we would like to further our tribute by featuring on PRIMO’s web site recollections and anecdotes from her fans.

Write us about your experiences meeting Ms. Funicello in person. Tell us what you liked best about her career in television and film. Send us a photograph of you or a photograph of you taken with Ms. Funicello.

On a special page of our web site will be a montage of fans’ photographs and commentary.

Please be sure to include your complete mailing address and contact information. We will only show your name, city and state in our online tribute.

Help make our online tribute to Ms. Funicello the best it can be.

Please write us with your anecdotes, recollections and memories to PRIMO’s editor at editor@flprimo.com.

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The Latest News…from an Italian American Perspective:

INTERVIEW WITH MICHAEL CASTALDO

A Christmas album in Italian seems like a no-brainer until you realize that few exist.

That’s why Italian Americans are indebted to Micheal Castaldo. His new CD “Extravergine, A Mediterranean Christmas” raises the bar on the music of Italian Americans. Like Jimmy Roselli did in his “Best of Neapolitan Songs” over 40 years ago, Castillo brings the appreciation of the Italian language to a broad audience, but this time through beautiful holiday melodies.

PRIMO had the opportunity to speak with Micheal about his new CD “Extravergine,” which we praise (to see the entire review please link to the editor’s blog at http://www.onlineprimo.com/primo/blog/wordpress/. Here is what he had to say about his latest work.

What led you to do a Christmas CD?

Michael Castaldo

The idea has been years in the making. I’ ve always enjoyed Christmas caroling over the years growing up in Toronto, Canada, as a young musician starting out playing guitar and accompanying choirs. I instinctually came up with my own arrangements. When I moved to Manhattan, I was singing with the Ann Ruckert choir touring around NYC in a double decker bus singing carols. Again, I was instinctually trying different things with the classic carols. I remember one time I went straight into "Day-O (The  Banana  Boat  Song ) by Harry Belafonte right after singing the chorus to “Angels We Have Heard on High.” Playing off of the ' Excelsis Deo ' line...everyone loved it and was cracking up and having fun. 

Having worked and produced a record for Grammy Award winner Jose Feliciano, I got a chance to see how well he did and how busy he was touring during the month of December based on the success he had with Feliz Navidad. When you work with artists at this level, you soon begin to realize that it's the music BUSINESS you're in not a hobby anymore.

A ll the above came into play when I was asked to sing at my first official Christmas concert in Toronto last year in 2010. The priest, Father Vito Marziliano, asked me to prepare at least three sacred Christmas carols and that was all it took to begin laying the foundation for my first Christmas CD.

What were your musical influences in creating the Christmas CD?

Extravergine CD by Castaldo
Visit the official web site!

A few years ago I was given a new CD my the Neapolitan singer  Massimo Ranieri  that blew my mind. It featured a lot of Middle Eastern rhythms, sounds and textures. I did some research and discovered that Southern Italy and Sicily had a lot of Arab influences for over 100 years in the 1500's. It all began to make sense to me now.

When I researched all the Christmas albums I could get my hands on, I began to see the vision for my album and thus I wanted to put the music back to where it all began 2000+ years ago in Bethlehem where the infant Jesus was born.

I've always been a big fan the work Hans Zimmer and Lisa Gerard did for the score of the film Gladiator as well as the score for Last Temptation of Christ by Peter Gabriel. I must have heard these recordings over 100 times each. They are in my blood now.

As I was visualizing the arrangements and productions for my new Christmas CD it all began to fall into place. Everyone involved in the project began to see the vision and everyone was so excited in being involved in something that can potentially be groundbreaking in scope once the masses become aware.

Choosing the CD cover with the wreath of Olive leaves and branches tied into the whole biblical concept really nicely. I always try and use clever titles and conversation starters for my album titles. The Olive tree is also an evergreen tree, so that made it even more symbolic...it even added to my story for my passion for Olive Oil so the whole cross-marketing began to take shape. As an indie artist, you have to make up in creativity and imagination where you lack in the pocket book to compete with the majors.

The whole CD project took 10 months and over 1,000 hours to create. An additional four months and countless hours went into the marketing and promotion. So as you can see what started with singing carols when I was 14 turned into a reality many, many years later. I hope the Italian American community can appreciate the value they are getting when they buy my CD's. I'm aiming to give all listeners the best possible audio and musical experience when they buy my music.

You simply have to live life, live it to the fullest, follow your passion, learn your craft, have an insatiable curiosity and then the determination to make it happen when the spirit moves through you.

What songs on this CD are the first to be sung in Italian? How difficult was it translating the words?

There are 6 songs being sung in Italian for the first time on this CD. They are: “What Child is This?,” “Little Drummer Boy,” “ Jezus Malusieńki (a polish Christmas Carol),” “Joy To the World,” Do You Hear What I Hear,” plus my original “Tutto e Bianco nel Cuor.”

Some songs are direct translations but a lot of creative freedom was used to make sure the meter, rhythm, accents, flow etc worked well with the melody. I've been writing songs for over 20+ years and so I have a very good knack of knowing when something feels right or not.

A lthough I was born in Italy, spoke the Calabrian dialect at home and studied Italian in high school, I still struggle to completely and confidently express myself in proper Italian. So a lot of time and work went into writing and re-writing the lyrics to these Christmas Carols. Most of the songs are now public domain so I was able to copyright them now with the Italian words and our new arrangements. Although I executive produced this project, the production was a collaborative effort with my Norwegian co-production partner and music school friend Stein B. Svendsen. 

Why do you think listeners will enjoy this CD?

It's fresh, it's relaxing, it's spiritual, it puts Christ back into Christmas. Read all the reviews on Amazon and you will start seeing a common theme in the reviews. I wanted this CD to help those who had the 'blues' during the Christmas season. I was looking to create 'art' that could be appreciated even after Christmas was over. Now that the CD has charted and gone to #1 on Amazon, I know on an artistic level the vision has been fulfilled. My hope is that it continues to be a strong seller, a classic that everyone should own so that every year, i can be singing at many Christmas concerts....just like what Feliz Navidad did for Jose Feliciano.

Read the Reviews!

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ITALIAN BANKS UNDER STRESS FROM ITALY’S DEBT CRISIS

Mario Monti
Mario Monti,
Italy’s New Prime Minister

If you ask a financial advisor in Italy about the debt crisis, he or she is likely to tell you it is even worse than what is reported in the press.

Italians know their country is in dire straits. But they also know there is no plurality for bold changes. Yes, austerity measures need to be more drastic and major cuts in entitlements have to be made. But the Italian government already accounts for 50 percent of the economy. With so many Italians dependent on government programs, subsidies and grants, few Italians want to cut the hand that feeds.

Mario Monti, the new prime minister tapped to solve the debt crisis, laid out his plan for fiscal austerity on December 5th. Intelligent, thoughtful, and dedicated to the job, by evidence of his numerous press conferences, Monti has nonetheless been a disappointment. His plan to bring the budget under control seems wholly detached from reality.

Monti sees Italy’s debt problem, a problem that derives from the expanse of government, solvable only by furthering government.

He wants better tax collection. Tax cheats in Italy have to be found.

Never mind a greater intrusion upon individual liberties: Monti wants to force any private transaction in Italy over 1,000 Euro to be done electronically. The government will then be able to better monitor such activities and improve the collection of sales taxes. No one believes this will work. Italians have long mastered the ability of circumventing intrusive policies by the government. Surely they are up to the task against Monti’s latest scheme. One can see an owner of a bodega splitting in two parts the bill for a $1,500 handcrafted table so as to avoid the electronic transaction mandate and the snoopiness of government.

Also, tax collection does not come cheap. Monti will have to hire an army of new agents, investigators, lawyers and accountants to find, prosecute and collect from Italy’s tax cheats. The cost will add to the already dangerously bloated budget. And besides, the math is not there. Italy needs an impossible amount of tax revenue to offset a debt that is one-fifth larger than the country’s economy. No amount of vigorous tax collection is likely to seriously close the gap.

No wonder markets greeted the news of Monti’s plan with ambivalence. They are increasingly reluctant to invest in Italy. To entice them, Italy has priced their 10 year bonds at seven percent interest. Seven percent. It is an unusually high rate of return. It is what Greece offered a few months back before they collapsed. It is a sign to experts that Italy will default. Such a high percentage is considered almost impossible to meet unless serious inflation overtakes the country as it did in the past.

A question on many people’s minds then is who will suffer most if Italy defaults on its staggering debt.

The answer: Italian banks.

As most banks in other European countries this month sought to dump a significant portion of Italian bonds, much of it at a loss, Italian banks stood firm and retained their holdings. One reason offered was a sense of patriotism. The banks wanted to uphold Italy’s credit and finances in face of the crisis. A more cynical view was that Italian banks were unable to unload their bonds as fast as they liked and the potential loss if they did was too much to take.

Italian bankers claim that the crisis is not as bad as it appears. They note that Italians per capita share of debt is less than Americans: 30,000 Euros versus 49,000 Euros (equivalent in dollars). Italy’s annual deficit of 100 billion Euros is far less than America’s. Italians save more than anyone else in Europe, allowing some analysts to be more optimistic about the future. But the vexing problem of no growth for Italy bears down on the market. Ten years have gone by and the economy has refused to expand. Italy is no longer seen as a safe investment.

Italy owes much of the money it received from bond sales to three of its largest banks. They are mainstays of Italian finance. Here is a preview:

Intesa Sanpaolo: Holds 60 billion Euros in Italian debt.

Enrico Tomasso Cucchiani
Enrico Tomasso Cucchiani
CEO of Intesa Sanpaolo

Intesa SanpaoloHeadquartered in Torino, the bank came about from a 2007 merger between Banca Intesa and SanPaolo IMI.

Itesa SanPaolo has over 7,500 branches, 102,000 employees and total assets of 660 billion Euros; Italian debt holdings represent less than 10 percent.

The bank is almost 200 years old, begun in the early 1800s as Cassa di Risparmio delle Provincie Lombardo. The Central Committee of Charity, a government sponsored organization, was the bank’s owner. The mission was to assist the poor and offer low interest rate loans to new companies in the Lombardia region. The bank was a major source of financing for the country’s rebuilding efforts after World Wars I and II.

In the 1990s, the government divested itself from the bank and a host of private mergers and acquisitions followed.

Intesa Sanpaolo today is the accumulation of more than several of Italy’s regional banks, financial services and insurance companies. Although large and seemingly well-run, the bank faces enormous challenges. Tied to Italy’s debt and fragile economy, Intesa Sanpaolo saw its deposit and debt ratings downgraded by Moody’s to Aa3 status. The bank’s share price is currently less than two Euros. What Intesa Sanpaolo has decided to do is go on offense. They see Asia in their future, not just Europe, and announced new efforts to double loans given to companies based in India. Good news came from a recent stress test by the European Banking Authority. Intesa Sanpaolo’s balance sheet was considered the best among Italy’s top three.

UniCredit: Holds 40 billion Euros in Italian debt.

Federico Ghizzoni
Federico Ghizzoni
CEO of UniCredit
Gaddafi
Muammar Gaddafi
a UniCredit shareholder

Libya’s civil war saved UniCredit from financial collapse, according to some journalists.

The Libyan government became the bank’s third largest shareholder in 2010.

When the international community froze Libya’s assets, Muammar Gaddafi and sons were unable to sell their country’s shares to buy new weapons to defeat the rebels. UniCredit was the ultimate winner. Without any chance of Libya’s shares and valuable deposits leaving, the bank had a reliable source of funds to boost their balance sheet and withstand, for awhile at least, Italy’s debt crisis.

UniCredit is Italy’s largest bank with more than 900 billion Euros in total assets, 162,000 employees, and more than 9,500 branches worldwide. The current size and scope of the bank was reached when UniCredit merged with the German bank HVB.

The bank dates its founding to 1473 when it was Credito Romagnolo. Today, two locations are considered the headquarters for UniCredit, Milan and Rome. The bank shocked potential investors this year when it posted a third quarter loss of 10 billion Euros. A recent stress test by the European Banking Authority had UniCredit ordered to raise more capital to ensure solvency.



UniCreditNonetheless, UniCredit is still able to attract the world’s richest investors. As Italy’s heavy weight champ in banking, UniCredit is considered enigmatic, a catalyst of billion dollar projects, now and in the near future a major player in international finance.


Banca Monte dei Paschi di Siena: Holds 20 billion Euros in Italian debt.

Giuseppe Mussari
Giuseppe Mussari president of
Banca Monte dei Paschi di Siena

Banca Monte dei Paschi di Siena is the oldest surviving bank in the world.

Monte dei Paschi di SienaIn 1472, the bank was started by the magistrate in Siena to offer loans at low interest to the city’s neediest citizens. Referred to as Monte di Pieta, the bank received donations and not deposits from the city’s wealthiest citizens. Interest rates were fixed and nominal, just enough for the lender to recoup expenses. The borrower was allowed to pay back just two-thirds of the loan.

Still headquartered in Siena, Banca Monte dei Paschi di Siena has a more sophisticated outlook than it did over 600 years ago. Italy’s third largest bank today aims for profit and maximum return on loans and investments. With 244 billion Euros in assets, the bank employees almost 32,000 people in 3,000 branches located in Italy and elsewhere in Europe. Through partnerships and various alliances with other financial institutions, the bank has a presence in almost every major city of importance to international finance.

Along with UniCredit, Monte dei Paschi was ordered by the European Banking Authority to raise more capital to strengthen its balance sheet. No doubt, centuries of experience allows Monte dei Paschi an advantage over others during Italy’s debt crisis. They are not apt to panic. They have seen it all.

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NOTES ON ITALY’S ANNUAL BUDGET

Budget Graph
Click to Enlarge

Italy’s debt crisis stems from annual budgets of almost $1.1 trillion. With tax revenues coming in at $960 billion, Italy usually posts an annual deficit of $100 billion.

Today’s debt stands at $2.2 trillion, about 120 percent of Italy’s GDP, the result from years of deficits.

The following chart is based on a sample 2007 budget of Italy’s national government, provided by the Ministero dell’Economia e delle Finanze. It shows the level of investment the Italian government makes towards the country. Italian politicians, economists, and much of the electorate are followers of the Keynesian philosophy. They believe the government must contribute to the economy beyond basic needs of defense, police, and the construction and maintenance of highways. Italy’s government makes up 50 percent of the GDP in comparison to the United States’ 20 percent.

Italy spends only 11 percent of her budget on national defense and police protection. With the United States making up the bulk of NATO defenses, with air, army and navy bases throughout Europe, Italy can unload the burden of defense and use the money in other areas.

One surprising item in the budget is the cost of Italy’s health system. With many Americans concerned about projected spiraling costs under Obamacare, they may find relief in the fact that only three percent of Italy’s budget is devoted to maintaining universal care.

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R.I.P. JENO PAULUCCI

Jeno Paulucci

Jeno Paulucci passed away in November.

Jeno's Pizza Rolls


Chung King

He is most famous for creating frozen food products that became part of American pop culture. Who never heard of Chun King or Jeno’s Pizza Rolls?

Paulucci began Chun King in the 1940s as Chinese food sold in cans and then in frozen packages. He eventually sold Chun King for $63 million to RJ Reynolds in 1966. He sold his famous pizza rolls to Pillsbury for $135 million in 1981.

Paulucci was the son of Italian immigrants who settled in Minnesota’s coal country. He spent much of his life in Duluth where he started a host of companies. Proud of his Italian roots, he started Attenzione magazine to promote the Italian culture and Italian American heritage. He was active in the National Italian American Foundation and other organizations.


Paulucci was noted for his philanthropy. A planetarium in Hibbing, Minnesota is named after him.

Married to his wife Lois for 64 years, Paulucci passed away just days after she died in November.

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Special Announcements:

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PRIMO in Italy..
3rd Edition Articles on the Map

PRIMO in Italy.. 3rd Edition Articles on the Map

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